The Shrine of Remembrance, located in Kings Domain on St Kilda Road, Melbourne, Australia was built as a memorial to the men and women of Victoria who served in World War I and is now a memorial to all Australians who have served in war. It is a site of annual observances of ANZAC Day (25 April) and Remembrance Day (11 November) and is one of the largest war memorials in Australia. Designed by architects Phillip Hudson and James Wardrop who were both World War I veterans, the Shrine is in a classical style, being based on the Tomb of Mausolus at Halicarnassus and the Parthenon in Athens. Built from Tynong granite, the Shrine originally consisted only of the central sanctuary surrounded by the ambulatory. The sanctuary contains the marble Stone of Remembrance, upon which is engraved the words "Greater love hath no man". Once a year, on 11 November at 11 a.m. (Remembrance Day), a ray of sunlight shines through an aperture in the roof to light up the word "Love" in the inscription. Beneath the sanctuary lies the crypt, which contains a bronze statue of a soldier father and son, and panels listing every unit of the Australian Imperial Force. In 2002-2003 a Visitor Centre was built within the foundations of the Shrine. The visitor centre incorporates an education centre (including three classrooms and meeting room), an audio-visual centre, gallery space, a retail shop and an administration office, as well the Hall of Columns (in which the Changi Flag is on display) Gallery of Medals, entry courtyard and Remembrance Garden. The walls of both the entry courtyard and Remembrance Garden have been built to complement the Ray of Light ceremony that takes place on 11 November of every year.

The Shrine went through a prolonged process of development which began in 1918 with the initial proposal to build a Victorian memorial. Two committees were formed, the second of which ran a competition for the memorial's design. The winner was announced in 1922. However, opposition to the proposal (led by Keith Murdoch and The Herald) forced the governments of the day to rethink the design, and a number of alternatives were proposed, the most significant of which was the ANZAC Square and cenotaph proposal of 1926. In response, General Sir John Monash used the 1927 ANZAC Day march to garner support for the Shrine, and finally won the support of the Victorian government later that year. The foundation stone was laid on 11 November 1927, and the Shrine was officially dedicated on 11 November 1934.

The design of the Shrine is based on the ancient Mausoleum of Maussollos at Halicarnassus, one of the Seven Wonders of the World, and the Parthenon in Athens. It is a structure of square plan roofed by a stepped pyramid and entered on the north and south through classical porticos, each of eight fluted Doric columns supporting a pediment containing sculpture in high relief. The porticos are approached by wide flights of steps which rise in stages to the podium on which the Shrines sits.[28] The east and west facing fronts are marked at the corners by four groups of statuary by Paul Raphael Montford, representing Peace, Justice, Patriotism and Sacrifice. The Art Deco style and motifs draw on Greek and Assyrian sculpture. The symbolism is Neo-Classical. Around the outer stone balustrade that marks the Shrines external boundary are the "battle honours" disks, 16 stone discs. These represent the battle honours granted by King George V and commemorate Australia's contributions to the following battles: Landing at Anzac, (that is, Gallipoli), Sari Bair, Rumani, Gaza-Beersheba, the North Sea, the Cocos Islands, Megiddo, Damascus, Villers Bretonneux, Amiens, Mont St Quentin, the Hindenburg Line, Ypres, Messines, Pozieres and Bullecourt.

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